The first book on 'Performance Drawing’. It features a wide range of artists and artworks involved in the expanded field of drawing – demonstrating rigorous academic research.
It establishes performance drawing as a vibrant art movement that has been progressively burgeoning since 1945 and contextualises today’s contemporary approaches – questioning what is drawing and what is performance?
Published: September 2020
247pp 32 bw images
Hardback : 234 x 156 mm
Performance Drawing: New Practices since 1945
Authored by: Maryclare Foá, Jane Grisewood, Birgitta Hosea, and Carali McCall.
Published by: Bloomsbury Visual Arts, 2020.
Forewords by: Anna Furse and Bonnie Marranca.
About the Authors:
Artist, Maryclare Foá was awarded her PhD at Camberwell, UAL; featured in Drawing Now: Between the Lines of Contemporary Art; and recently shortlisted for the TBW Drawing Prize. Artist, Jane Grisewood was awarded her PhD at Central Saint Martins, UAL; artworks and artist books are acquired in international collections, and recent exhibitions include the Line/Extended at University of Hertfordshire (UHArts). Artist, Birgitta Hosea is a Professor of Moving Image at the University for the Creative Arts, UK. Previously, Head of Animation at the Royal College of Art and Central Saint Martin’s where she completed her PhD in animation as a form of performance. Artist, Carali McCall studied at The Slade School of Art and was awarded her PhD at Central Saint Martins, UAL where she continues to be part of research groups; a finalist in the 2017 Jerwood Drawing Prize and recently awarded Arts Council England for performance-based artwork RUN VERTICAL
“Performance Drawing represents a highly developed record of practice-based research, tracing the developments in contemporary drawing, building on precedents that have led to emerging trends. It analyzes the radical departure from the acceptance of drawing as a canonical medium based on mark-making on two-dimensional surfaces, into real space towards performance, light projections, film and the use of new technologies. The texts brilliantly place all these developments into a clearly articulated context.” – Therese Bolliger, artist, Canada
“While narrative forms of drawing have found favour through numerous exhibitions and publications worldwide, drawing as an inherently process-driven performative event is still lacking accessible comprehensive theoretical research. Bridging two centuries of contemporary practice, Performance Drawing will fill a huge gap for artists, teachers, scholars and art publics.” – François Morelli, Concordia University, Canada
“A valuable historical primer that examines key examples of performance drawing from the last half-century and challenges established definitions and categorisations. The authors draw a picture of the changing boundaries between art forms, showing how the blurred lines between artistic disciplines are the product of an active performative process. In addition to practitioners, this should be read by anyone interested in emerging art practices.” – Malcolm Cook, Associate Professor in Film, University of Southampton
Please contact for a signed copy and further information :
Carali McCall: firstname.lastname@example.org
Artist Book, a catalogue of works made for McCall's solo exhibition, An Arm's Reach at Gryder Gallery, New Orleans.
Essays Include Sublime Endurance, by Helen Kauder, Executive Director, Artspace, 2019;
And, Circle Drawing: A Means and an End, by Jill McGaughey and Garlyn Gryder.
Published in a limited edition of 200 books
© 2019 Carali McCall
48 pp / 26 coloured images
Mohawk Eggshell White 148gsm
Exposed sewn sections as 4 x 12pp
300gsm cover mounted to front and back