The first book on 'Performance Drawing’. A visual arts book that features a wide range of artists involved in the expanded field of drawing, demonstrating rigorous academic research. It establishes performance drawing as a vibrant art movement that has been progressively burgeoning since 1945 and contextualises today’s contemporary approaches – questioning what is drawing and what is performance? Each chapter focuses on a different perspective of performance drawing. Embracing the different voices and various lenses, the authors combine individual yet critical methodologies. While embedded in ephemerality and immediacy, the themes encompass body and energy, time and motion, light and space, imagined and observed, demonstrating how drawing can act as a performative tool. The dynamic interaction leads to a collective understanding of the term performance drawing and addresses the key developments and future directions of this applied drawing process.
Performance Drawing: New Practices since 1945
Authored by: Maryclare Foá, Jane Grisewood, Birgitta Hosea, and Carali McCall.
Published by: Bloomsbury Visual Arts, 2020.
Forewords written by: Anna Furse and Bonnie Marranca.
Part of the Drawing In series, edited by Russell Marshall, Marsha Meskimmon and Phil Sawdon.
About the Authors:
Artist, Maryclare Foá was awarded her PhD at Camberwell, UAL; featured in Drawing Now: Between the Lines of Contemporary Art; and recently shortlisted for the TBW Drawing Prize. Artist, Jane Grisewood was awarded her PhD at Central Saint Martins, UAL, where she teaches experimental drawing; artworks and artist books are acquired in international collections, and recent exhibitions include the Line/Extended at University of Hertfordshire (UHArts). Artist, Birgitta Hosea is a Professor of Moving Image at the University for the Creative Arts, UK. Previously, Head of Animation at the Royal College of Art and Central Saint Martin’s where she completed her PhD in animation as a form of performance. Artist, Carali McCall studied at The Slade School of Art and was awarded her PhD at Central Saint Martins, UAL where she continues to be part of research groups; a finalist in the 2017 Jerwood Drawing Prize and recently awarded Arts Council England for performance-based artwork RUN VERTICAL
“Performance Drawing represents a highly developed record of practice-based research, tracing the developments in contemporary drawing, building on precedents that have led to emerging trends. It analyzes the radical departure from the acceptance of drawing as a canonical medium based on mark-making on two-dimensional surfaces, into real space towards performance, light projections, film and the use of new technologies. The texts brilliantly place all these developments into a clearly articulated context.” – Therese Bolliger, artist, Canada
“While narrative forms of drawing have found favor through numerous exhibitions and publications world-wide, drawing as an inherently process-driven performative event is still lacking accessible comprehensive theoretical research. Bridging two centuries of contemporary practice, Performance Drawing will fill a huge gap for artists, teachers, scholars and art publics.” – François Morelli, Concordia University, Canada
“A valuable historical primer that examines key examples of performance drawing from the last half-century and challenges established definitions and categorisations. The authors draw a picture of the changing boundaries between art forms, showing how the blurred lines between artistic disciplines are the product of an active performative process. In addition to practitioners, this should be read by anyone interested in emerging art practices.” – Malcom Cook, Associate Professor in Film, University of Southampton
Please contact us for any further information
Maryclare Foa: email@example.com
Jane Grisewood: firstname.lastname@example.org
Birgitta Hosea: email@example.com
Carali McCall: firstname.lastname@example.org
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